For many years I've pondered the mystery of the Tetragrammaton. This mystery is the formation and base of Solomon's power over the forces of the universe. I've known its mystery subconsciously for some time and have followed its tenants instinctively, but understanding just what it is and how it works has always eluded my consciousness, most probably on purpose. At last I believe I know what it is and now begins the journey to learn all of its workings.
Imagine if you will a great and glorious harmony, a song of creation given by the creator to all things seen and unseen. Imagine that harmony has a beat trigger, a metronome if you will that keeps the harmony going. That metronome is what synchronizes and controls the harmony of the universe, the ebb and flow of power, the frequency of light and form, the base agitation of the smallest molecules to the pulsating of the greatest star, to the whispers of the spirits and powers that dwell in the unseen. That is what the Tetragrammaton is. It is because of this harmony that we move with and are moved by music. It is the closest approximation to a one-ness with the universal harmony and with the spirit. It is the most spiritual experience you can have without taking that extra step into the unseen. It is the sole reason why some music moves your soul and other music seems in discord or violation of the Tetragrammaton.
Like no ordinary harmony, the song of the universe is complex and many faceted, hence the metronome for that harmony, the Tetragrammaton is also complex and many faceted. Think of a 3 dimensional cube that has 6 sides, 3 by 3, then imagine a navigational axis in that cube. At the intersection of the outer dimensions are the points of the metronome that control each a point in the Tetragrammaton. Now imagine this axis can move forward and backward in time, in and out of the material. This is the 'dark energy' that is so elusive to science, and the manifestations of the invisible/spiritual axis are the 'dark matter'. All these can be modeled and the intersections of influence of each point of the Tetragrammaton understood via mathematical calculations (although what they are at this point elude my consciousness, but I am searching to bring this knowledge out of my subconscious) and those points can be influenced by harmonizing with those vibrations and altering them by will and knowledge as well as permission from the designer of the great harmony.
And so the real quest begins to understand the precise workings of the Tetragrammaton and in essence bring the conscious closer to its creator.
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